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Dublin City Public Libraries
- Michael Kelly and the Mozart Connection
Art & Artists | Dublin City Public Libraries
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There are over 600 different flowering plants in the Burren in County Clare.
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Explore the meaning and purpose of Irish art from a contemporary perspective in this feature article by Dr. Yvonne Scott and Dr. Rachel Moss.
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Lady Lavery as Kathleen Ní Houlihan (1928) by John Lavery (1856-1941)
Lady Lavery as Kathleen Ní Houlihan (1928) by John Lavery (1856-1941) is an engraving of the painting which appeared on Irish banknotes for fifty years, until 1977. Central Bank and Financial Services Authority of Ireland Collection. Photographer: Roy Hewson
© Central Bank and Financial Services Authority of Ireland Photo © The National Gallery of Ireland
Urban Landscape III (c.1972) by Jonathan Wade (1941-73)
Urban Landscape III (c.1972) by Jonathan Wade (1941-73)
Courtesy of Dublin City Gallery, the Hugh Lane
Knowth, Co. Meath. Orthostat 49
Knowth, Co. Meath. Orthostat 49: This abstracted face guards the entrance to the chamber at Knowth.
Courtesy of the Photographic Unit, Department of the Environment, Heritage and Local Government
Strongbow (1978/2000) by James Coleman (b.1941)
Strongbow (1978/2000) by James Coleman (b.1941) incorporates video, sound, and a sculptural effigy of the 12th century knight, Strongbow, in an installation work that explores the origins and consequences of colonialism in Ireland. Video installation. Resin cast mould, Sony Art Couture monitor, audio equipment and speakers, polystyrene packing, scaffold tower, packing boxes, lighting. Photograph McCrea. Collection Irish Museum of Modern Art (Purchase 1991), Military Road, Kilmainham, Dublin 8, Ireland http://www.imma.ie/en/index.htm
Image courtesy of James Coleman ©
Entering Jerusalem 3 (1994 – 96) by Hughie O'Donoghue (b.1953)
Entering Jerusalem 3 (1994 – 96) by Hughie O'Donoghue (b.1953) is one of a series of works by this artist on the Passion of Christ. It sympathetically explores the events leading to the crucifixion, and relates them generally to the suffering of humanity. The warm dark tones and sfumato (smokey) treatment suggests emotion. Oil on canvas, 3 panels 280 x 744 cm Permanent Loan, The American Ireland Fund, 2006. Collection Irish Museum of Modern Art, Military Road, Kilmainham, Dublin 8, Ireland http://www.imma.ie/en/index.htm
Copyright Hughie O'Donoghue Studio
View of Powerscourt Waterfall (c. 1760) by George Barret (1728/32-84)
View of Powerscourt Waterfall (c. 1760) by George Barret (1728/32-84). Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of Ireland
Seanchas Búrcach fol. 18v
Seanchas Búrcach (c.1560)
Board of Trinity College Dublin
Book of Kells fol. 29r
Book of Kells detail of fol 29r showing interlaced snakes and peacocks in roundels surrounded by spirals.
Board of Trinity College Dublin
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